Shania and Mutt met
face to face in 1993, and were wed in December, by which time they’d written
half an album’s worth of tunes together. As the following year unfolded,
they traveled (and wrote) their way across the U.S., Canada, England, Spain,
Italy, and the Caribbean. They began to lay down basic tracks for the new
album in Nashville, later recording overdubs and mixing in Québec.
Her self-titled debut album appeared in 1993. It was followed by “The Woman
In Me”, released in 1995, in which Shania found her true voice as a writer
and performer. By then she had met and married Mutt Lange, famed producer of
such rock acts as The Cars, Def Leppard, and Bryan Adams, and the two
collaborated on all the songs on “The Woman In Me,” which won a Grammy for
Best Country Album and would become the best-selling album by a female
artist in country history. Shania struck gold (and platinum) again on her
third album, “Come On Over”, released in 1997, which again launched numerous
international hits, including “Don’t Be Stupid”, “Love Gets Me Every Time”,
and “You’re Still The One”.
As much success as Shania has had as adult, however, she knows would not be
poised a performer today had it not been for her experiences as a child. “I
found that the most difficult thing about being a child professional was
that I had a hard time being taken seriously—as an artist.” For that reason,
Shania has taken the extraordinary gesture of sponsoring a series of youth
talent contests in cities that are hosting her world tour. Following each
contest, Shania will invite the winner to appear alongside her on stage
where the young artist (under 18) will perform a solo rendition of “What
Made You Say That?” the first single released off Shania’s debut album. “I
thought that song would be the most appropriate”, she says, “since it’s the
first song I recorded and the one that gave me my break.” In taking this
action, Shania’s goal is to allow fans in each community see and support
their local talent. “I focus specifically on youth”, she says, “because I
find that young people have the most difficult time getting opportunities.
They’re not as independent. They’re relying on their parents to drive them
around. They’ve got to miss school sometimes.” Also, “Most adults think that
young performers will grow out of their fascination. Most people think it’s
a hobby or a phase.” she says. “But often they’re wrong. I think it’s
important that these young people get the respect they deserve as artists.
I’m just trying to do my part and say, ‘Hey, after all that’s how I got
started.’”
From the Come On Over Tour Program. |